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Israeli Artist Faces Eviction from Unique Cliffside Cave Home

For over five decades, Nissim Kahlon has meticulously sculpted a modest Mediterranean seaside cave into an extraordinary subterranean dwelling. This intricate labyrinth boasts hand-chiseled tunnels, elaborate mosaic floors, and a network of stairways connecting various chambers. This unique creation has become a popular attraction for curious locals, and the 77-year-old Kahlon warmly welcomes visitors into his underground haven.

However, after 50 years, the Israeli government is demanding he vacate the premises. The Environmental Protection Ministry has issued an eviction notice, claiming the structure is unauthorized and poses a threat to Israel's coastline.

"They should be supporting me, not tearing me down," Kahlon expressed, crafting a cigarette within his mosaic-adorned living room, the Mediterranean sun illuminating the space through his westward-facing windows.

Kahlon's journey began in 1973, residing in a tent along Herzliya beach, north of Tel Aviv. He began carving into the sandstone cliffs, eventually creating a cave dwelling. Over time, this simple refuge evolved into an elaborate, multi-level home constructed from salvaged wood, metal, ceramic, and stone. Nearly every surface within his living quarters is covered in intricate mosaics crafted from discarded tiles he collected from Tel Aviv dumpsters. Recycled glass bottles serve as both decoration and insulation on the exterior walls.

Nissim Kahlon's unique cave home, carved into the sandstone cliffs overlooking the Mediterranean Sea in Herzliya, Israel.

The home's design is a marvel of curved walls and winding stairways that connect chambers of varying designs and purposes. The complex is equipped with plumbing, electricity, and a phone line. Kahlon maintains that his construction is structurally sound, emphasizing his resourcefulness and zero-waste philosophy.

Kahlon recounts receiving a demolition order in 1974 that was never enforced. He claims he encountered no further opposition from authorities until the previous year. The current eviction is temporarily suspended, allowing him time to appeal. While admitting he never obtained a building permit, and that the city shut down a beachfront restaurant he operated years ago, Kahlon argues that the local authorities' connection of his cave to the power grid decades ago implies acceptance of his residence.

Kahlon's cave home stands in stark contrast to the upscale residences that characterize Herzliya, an affluent coastal city. Located near historical sites like a Crusader castle and an abandoned military facility, the area has a complex history, including a significant industrial explosion in 1992 and a more recent blast. Government agencies have engaged in ongoing disputes regarding responsibility for the site's cleanup and security.

The Environmental Protection Ministry cites Kahlon's alterations to the cliff, public endangerment, and restriction of beach access as justifications for the eviction. They argue the recent explosion amplifies the potential risks. The Ministry also criticizes other authorities for their inaction over the years and claims to have sought a resolution since 2016. They assert the eviction aims to mitigate environmental damage and that alternative housing has been arranged by the Herzliya municipality. Meanwhile, supporters have initiated a crowdfunding campaign to assist Kahlon with his legal defense as he continues his artistic endeavors.