Art conservators are meticulously revealing 20 angelic figures, concealed beneath layers of paint for over a century, within Boston's historic Old North Church, renowned for its connection to Paul Revere.
Working from scaffolding high within the church, Gianfranco Pocobene has painstakingly uncovered eight of these hidden cherubs. These painted angels, characterized by their youthful faces and wings, were prominent features of the oldest church building in Boston, originally painted circa 1730. However, a 1912 renovation saw them covered with thick white paint, a decision now being reversed by current restoration efforts.
"Six months ago, at the project's outset, we were completely unaware of what lay beneath," Pocobene remarked as the church prepared to unveil the first eight restored angels. "Discovering these historically significant artworks, unseen for generations, has been a true revelation. Participating in a project that unveils a piece of colonial American history is an extraordinary privilege."
Old North Church is most famous for the two lanterns hung from its steeple, signaling the British army's advance to Paul Revere in April 1775. Revere also served as a bell-ringer at the church during his teenage years.
Emily Spence, associate director of education at Old North Illuminated, which manages the church as a historic site, explained the significance of the angels: "Throughout much of the church’s history, these colorful angels were a visible part of the interior, a key element of the identity for the Church of England congregation that worshipped here. The color scheme held deep meaning for them."
The restoration of the sandstone and teal angels commenced in September, Spence noted. Eight are now complete, with another eight anticipated by spring. Researchers, aided by historical records and a contract with the original painter, John Gibbs, a church member, knew the angels remained hidden. A 2017 paint study confirmed their presence.
Corrine Long, a painting conservator collaborating with Pocobene, described the delicate process: "The challenge was removing seven layers of paint without harming the angels underneath." A solvent gel softened the paint, allowing for careful removal with plastic scrapers. Cotton swabs cleaned the exposed angels, followed by retouching to address any damage.
Pocobene emphasized the individuality of each angel: "They possess unique character; they're not mere copies. John Gibbs painted each one distinctly, with varied poses, creating a wonderful rhythmic pattern across the church's walls."
For Long, the project's most rewarding aspect was restoring the church closer to its founders' vision. "Entering a historic building, I'm always captivated by the original paintings and decorations. Repainting everything white diminishes the majesty and historical significance."
On a recent day, amidst the conservators' work, California tourists Sean Dixon and Sarah Jardine navigated the church's aisles, their view partially obscured by scaffolding. "I was astonished at first sight," Dixon admitted. "It's truly impressive, and I eagerly anticipate seeing the complete artwork once the scaffolding is removed."
